Liberal hypocrisy, “movement” stupidity, and something for Derbyshire.
The gothic is a quintessentially European aesthetic. Moreover, it pertains and appeals more specifically to those of North-West European descent and is to be found in various modes and tropes throughout North-West European culture and contrasts with the Classicism of Southern Europe.
It’s true that Gothic culture was most strongly focused in NW Europe, and in the popular mind is associated with Northern France and Germany. But there is this and also this and also this.
But that’s not the major problem with the above quote. The problem is in its use of the present tense: “pertains” and “appeals.” Yes sir, dem Krauts of today are all going into medieval Gothic themes (that is, when they are not welcoming axe-wielding refugees and supporting Merkel more than ever), while dem Wops are all flocking to the works of Aristotle (when they are not ship captains jumping off sinking vessels they ran into rocks or behaving like hedonistic jackasses). And, certainly, your typical German-American loves dem dere Batman movies and those movies’ Gothic themes, while your typical Italian-American eschews Batman and prefers Clash of the Titans (release the kraken!). What utter stupidity.
In 55 Days, one of the Marines, Captain Andy Marshall (Jerome Thor), has a mixed-race daughter, Teresa (Lynne Sue Moon) who he has left at a French Catholic orphanage. Teresa becomes a complication for Captain Marshall and Major Lewis as the story plays out. Even though she is rescued by Major Lewis in a dashing way with epic music playing in the background in the final scene we know she is not going to really be at home in Illinois after being raised in a Chinese orphanage. In my personal life, I know a great many people whose father was a career military man and whose mother is from the Far East, usually Korea. It seems to me that about half the kids of those combinations fail to launch, there is drug abuse, poor personal and career decisions, and other issues. Recently, several spree killers, such as Elliot Rodger, came from such a background.
Moviegoers also learn that Baroness Natalie Ivanoff (Ava Gardner) has had an affair with a Chinese General, causing her husband to commit suicide. She is now alone in the world with a valuable necklace her only wealth. She is haughty to her in-laws angry at her infidelities, but one can see her haughtiness is empty bravado. The Baroness is in dire financial straits and irredeemable social trouble. By the end of the movie she has pawned her necklace. The Baroness’ problems are solved by her death in the siege.
In The Sand Pebbles, the problem of personal, intimate involvement with Third World People is fleshed out more deeply. The deep personal involvement has three different layers. The first is institutional. On the USS San Pablo, the Captain, Lieutenant Collins (Richard Crenna) organized a group of Chinese as coolie labor on the riverboat. The Chinese coolies turn part of the ship into their living quarters and a no-go area for whites. The coolies cook the meals, launder the clothes, clean and paint the ship, and service the engine. The Americans do little but drill in their perfectly laundered clothes, argue over trifles, and drink. This institutional organization brings about serious problems as the plot of The Sand Pebbles thickens.
It is in the bars where the problems start to crop up and the second layer of problems arises: intimate sexual involvement. When being shown around the ship, Frenchie (Richard Attenborough), tells Jake Holman (Steve McQueen) that the Pharmacist Mate is the critical person to know, as many of the men are getting venereal diseases from visiting the Chinese prostitutes. Normally, sailors visiting Far Eastern prostitutes is not a big deal. In fact, such a thing is often a rite of passage for many young men in the military. However, Frenchie takes the situation further when he becomes involved with a Chinese woman named Maily (Marayat Andriane) who works at the bar the sailors like to patronize. The woman is at the bar because she is burdened with debts that she manipulates Frenchie into paying.
Far Eastern morality is also clearly shown. As soon as Frenchie has the money to pay Maily’s debts, her Chinese creditor seeks more money by auctioning off Maily’s virginity. Additionally, the Chinese Republicans simply lie about who killed who, declaring Holman a murderer although the Republicans themselves were responsible for most of the killing.
That is, if you want to refer to Negresses as “women.”
I know many in Der Movement would say “big deal” but this is another case of cultural racial displacement, another example of the utter contempt felt by elites (if one can call comic book writers, artists, and executives “elites”) toward the White masses. Indeed, given that the major consumer of comics are White (beta/omega) males, this whole push to “diversity through displacement” is bizarre. Even betas and omegas are likely to be turned off by the loss of decades-old entrenched characters, and by their replacement by “people of color” that the readers cannot identity with. More to the point, the idea of a genius Negress building a Iron Man suit at MIT is doubly ludicrous.
By the way, the reader may be interested to learn that the storyline of the arch-cuck Captain America secretly being a neo-Nazi “Hydra” agent was recently shown to be a manipulation by the Red Skull. You see, the evil kraut has polluted the mind of the pure-as-gold cuckhero Steve Rogers through the dastardly use of a “cosmic cube” (absurdly manifesting as a young girl – sex diversity even for inanimate objects!).
The best riposte to all this trash from Marvel (Including the Black version of Captain America, the Korean Hulk, and the PMS-tampon-wielding female Thor) is economic: boycott those titles, or even boycott Marvel as an entire company. Hit them in the pocketbook, although they are so rabidly SJW they’d probably accept poor sales to advance their social agenda. And a vicious agenda it is – for as commentators have pointed put, if they want more “diversity” why don’t they just invent new colored/female characters instead of pointedly replacing White males?
On White Identity:
I am inclined to agree with Jonathan Bowden and others: white identity has to be given and must claim an upper edge and must be seen as an advantage, as more robust and meaningful than merely holding to a classical segregationist argument (my impression of Taylor). A segregationist’s mentality is crucial, no doubt, but the real power in white identity is our link with Europe’s intellectual and cultural projects and achievements. It is part of the tragedy we are facing that fewer and fewer can define value in this way.
All true, but there also must be the underlying biological/EGI component as well. But, yes, actualizing a High Culture, as Yockey would say, is one foremost forward-looking identity-building project.